Posts tagged ‘Marshall Rogers’

Detective 481 – 2 Batman tales, and Robin, Batgirl, and Man-Bat all begin, again

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One of the results of the DC Implosion was the merging of Detective Comics and Batman Family.  Detective had not been selling very well (astounding to think the Englehart/Rogers run was not a hit when released), but rather than cancel it, Batman Family was sent to the chopping block, and it’s contents moved to this book.

In truth, as a kid, I didn’t even notice that this, and the following issue, were not issues of Batman Family, as it’s displayed more prominently on the cover than the logo for Detective.

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The first of the two Batman stories in the issue, by Denny O’Neil and Marshall Rogers, has Batman attempting to find a murderer, in order to stop a cynical scientist from destroying his notes on a new heart operation.  It makes more sense than it sounds.

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The story kicks into high gear once all the characters are on board the train, a refurbished antique, with the guests in period costume.

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The killer had a ticket for the excursion, which is what drew Batman. But once he has accounted for all the invited guests, he realizes the host must be the one who dropped his ticket.

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A fairly straightforward, but entertaining tale, and Rogers art ensures it’s a treat for the eye.

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Robin’s series picks up somewhat mid-stream, as his recurring foe, the Raven, makes an appearance in this Bob Rozakis/Don Newton tale.

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Robin is given three hideous new costumes, supposedly designed by students at his university, but in actually by readers who should not design clothes.  One of the outfits allows him to fly, which is useful, although the Raven still beats him.

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The third outfit is not only garish, it’s rigged with a bomb.  Robin figures this out when the bad guys flee, and winds up skinny dipping to survive.

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Batgirl’s series, also by Rozakis, is also mid-storyline, as Barbara Gordon heads to China in her official capacity as a congresswoman, in order to secretly investigate the Sino-Supermen. Don Heck does the art, so it looks awful.

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Believing that the reason the US has so many heroes is because the government is creating them, the Chinese government is working on their own super-hero program, which Batgirl is out to destroy.

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But the Chinese are spying on her and her reporter friend as well.  They believe the reporter is actually Batgirl, and kidnap both of them.

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Man-Bat’s series has him and Jason Bard running a private detective agency at this point.  Once again, it’s Bob Rozakis scripting, with Newton on the art.

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They are hired to find a millionaire’s missing wife.  There is a ransom demand, which Jason fulfills as Man-Bat observes from on high.  They capture the man, who turns out to be another detective the millionaire had hired.  He did not kidnap the wife, and was just looking to profit off the situation.

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So Kirk and Jason make the rounds of the nightclubs the woman frequented, looking for some sign of her.

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In the end it turns out she was not kidnapped at all, simply ran off because she was bored.  The story ends with Kirk and Francine, wondering what a boring life would be like.

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The second Batman story in this issue, by Jim Starlin, with art by P. Craig Russell, is the first half of a 2-parter that concludes next issue.

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Batman is called to the site of a brutal murder.  Investigating, it becomes clear that no ordinary person would have had the necessary strength to have done all the damage.

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He recognizes a photo on the victim’s wall, and realizes the man was a friend of his father.  The page copied above shows the Batcave as being relocated to under the Wayne Foundation Building.  Other stories would show it, intact, still below Wayne Manor.  The only possible logic to this is that Batman actually had duplicates made of the dinosaur and giant penny, so he could have them in both Batcaves.

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Batman seeks out one of the surviving men from the photograph, now old and crippled, but pretty clearly the bad guy.  To Batman’s surprise, the man confesses, and then electrocutes himself.

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But the electrocution does not just kill his body, it transfers his mind into the body of the giant ape, which he has already used to kill.

 

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Detective 479 – Batman vs Clayface, and Hawkman vs Fadeaway Man

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Detective 479 (July/Aug. 1978) features the conclusion to the 2-part Clayface story, as well the conclusion to Steve Englehart’s run, and the collaboration with Rogers and Austin.  Up to this point, no creative team had told such an interconnected story, or given Batman such a strong romantic plotline.

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Batman manages to escape from Clayface, whose exoskeleton makes him much stronger, by electrocuting his suit.

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Though she is not identified, the cat hints that the mysterious woman who comes to visit Bruce Wayne is Catwoman.  This is the first appearance she makes following a story in Batman Family in which she battled the Huntress, and begins her path to redemption.  Current continuity would make this her first appearance after Zatanna’s mind wipe of her, as related in Identity Crisis.

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Batman manages to track Payne to his wax museum, and sees just how very disturbed the man is.  One of the things I really like about this third Clayface is that, as much of a killer as he is, he remains tragic and sympathetic.

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Though Batman does beat him, the wax museum catches fire.  Clayface, terrified for the “life” of the dummy he loves, bursts his bonds and runs back into the building burning as it collapses.

This Clayface returns in a few years, in a Batman Annual, with an amazing story by Alan Moore.

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Hawkman returns to the pages of Detective following his run in Showcase, which saw Hyathis conquer Thanagar, and Hawkman and Hawkgirl exiled again.  Len Wein and Rich Buckler contribute this story, which introduces a new villain and brings back an old supporting character.

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Returning to the Midway City Museum, Carter  and Shiera Hall are surprised to discover someone else in Carter’s office.  Mavis Trent, not seen since Hawkman 2, explains that Carter was fired after not showing up to work for months on end.  And can you blame them?

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Well, maybe you can, since the guy they hired has no trouble announcing that he is a villain, the Fadeaway Man, and uses his magic cloak to send Carter away.

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The writer clearly has backstory for this character, with his references to “who he truly is,” and I expect, had this back-up series not been abruptly cut short, he would have returned a few issues down the road.

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He vanishes, unwittingly, at the end of the story.  The Hawks assume him to be dead, but Fadeaway Man retutns a few years down the road in Brave and the Bold, taking on Hawkman and Batman.

Detective 478 – a new and deadly Clayface

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Englehart, Rogers and Austin reach the end of their run on Detective with this 2-part story that introduces Preston Payne, the third Clayface.

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Batman is not coping well with Silver’s departure, and is taking it out on Gotham’s criminals.

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Meanwhile, Gotham is being plagues by a series of robberies and unusual murders, which leave the bodies a pile of goo.  We see the new Clayface long before Batman does, and it’s not a pretty sight.

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The depths of Batman’s emotional state are made very clear in this powerful scene, in which he curses the portrait of his parents, and then realizes what he is doing.

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Jumping back to Clayface, we get the sad origin of Preston Payne.  Born with a deformed head, and ostracized both as a child and an adult, he became fascinated with Clayface’s body altering abilities.

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Payne visited Matt Hagen in prison, and though Hagen refused to divulge the secret of his powers, he did allow Payne to draw a simple of his blood.  Payne isolated the agent in Hagen’s blood that allowed the transformations, and injects himself. At first it works perfectly, and he creates his idealized body.

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But the process was unstable, and as his form began to melt, he discovered the other ability he now possessed – to spread this melting to others through touch.

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Driven completely insane, Payne now lives encased in an exoskeleton, in a wax museum with a dummy he treats as a girlfriend.

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The hero and villain, both in a state of heartbreak, face each other as the issue ends.

The story concludes next issue.

Detective 477 – mostly a reprint

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This issue is almost entirely a reprint of Detective 408, but issue 477 (May/June 1978) does have a few new pages at the beginning and ending.  There may not be much material by Englehart, Rogers and Austin, but what there is is important.

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Batman and Gordon go to see Boss Thorne, now in an asylum.  He tells them of Hugo Strange’s murder, and being haunted by his ghost.  Batman puzzles, if Strange is truly dead, who left him the gas meter?

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The final page has a wonderfully creepy murder, an introduction to the new Clayface, whose story will be told over the next two issues.

 

Detective 476 – The Laughing Fish concludes

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Steve Englehart, Marshall Rogers and Terry Austin bring their Joker story to a rousing conclusion in Detective 476 (March/April 1978).

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The Joker continues to murder those who he feels are denying him copyright on his fish, despite the best efforts of Batman and Commissioner Gordon.

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Near one of the murder sites, Batman’s attention is drawn by the ghost of Hugo Strange, and Batman discovers a gas meter.  He does not understand it’s significance, but uses it later, and it points out the Joker.  This was Strange’s device to make sure that only the bidders from the first night of his auction would be re-admitted.

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But that’s towards the end of the story.  Before that, we are treated to the Joker in his insane glory.  The writing and art combine perfectly to create an entertaining, blood thirsty madness.

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The story catches up with Boss Thorne and Silver St. Cloud, whose car ride goes from silent introspection, to a heated argument about Batman and corruption in Gotham.  Thorne kicks Silver out of the car, and she searches for a way back to Gotham.

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Not a good move on Thorne’s part, as it turns out Silver’s presence was the only thing delaying Hugo Strange’s ghost.

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So as I said before, Batman uses that gas meter and finds the Joker and they have a big fight.  Silver returns during it, watching the electrifying climax of the battle.

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She explains to Batman that she knows who he is, and loves him, but could never live with the day to day reality of the danger he faces.  She tells him she has to leave him, before she cares so much that she couldn’t leave him.  And she goes.

A beautifully played out scene, the news that Thorne has talked and that Batman is no longer banned is left as a hollow victory.

It’s many, many years before Silver St. Cloud returns.  First in a Legends of the Dark Knight storyline, and then in a Batman mini-series.  Neither were really satisfying.

Detective 475 – The Laughing Fish

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And the hits just keep coming on Englehart, Rogers and Austin’s run on Detective, as issue 475 begins the classic Laughing Fish storyline.

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The story begins with a superb scene, so tense and awkward, as Batman goes to see Silver St. Cloud after taking Deadhot in.  They both know that they both know, but neither is confident enough to speak, and where this could have been the moment they came together, in reality, it drives them further apart.

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The Joker’s entrance is a masterful piece of drawing.  This one panel is how I always envision the character.  His plan, in this 2-parter, is to copyright fish.  He has infected the water with his smile toxin, so all the fish being caught have Joker faces.  When the patent office guy explains that one cannot copyright fish, the Joker simply explains that he has until tonight to change his mind, or he will die.

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Despite the Batman’s precautions, the Joker succeeds.  The death scene is chilling, and more like his murders from the 1940s.

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This issue has also had more of Boss Thorne’s descent, including a scene between him and the Joker, in which the Joker expresses the same high regard for Batman that Hugo Strange had.  At issue’s end, Thorne is fleeing Gotham, and picks up Silver St. Cloud, also on the run.

Detective 474 – Deadshot returns

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Before this story, Deadshot had made only his debut appearance, in Batman in the early 50s, and a one panel cameo, in prison, in an issue of Detective Comics shortly afterwards.  Detective 474 (Dec. 77) brought the character back, gave him a better outfit and mask, and he soon became a major player in the DC Universe.

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The story, by Steve Englehart, Marshall Rogers and Terry Austin, opens with some really great bonding between Batman and Robin, before he heads off, back to school, and a meeting of the Teen Titans.  Wonder Girl cameos, and there is a visual of Duela Dent, at this point calling herself Harlequin, as well.  In fact, this meeting would see the Titans break up, but there is no hint of that.

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The Penguin is returned to prison, and placed in a cell next to Floyd Lawton.  The Penguin has a laser monocle he intends to use to escape, but Floyd grabs that off of him and uses it himself.

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A lot of this issue is spent on the supporting cast.  Boss Thorne gets another visit from Hugo Strange’s ghost, and Silver St. Cloud goes on a date with Bruce, asking perceptive questions, and making him wish he could tell her the truth.  We also get to see her at work, organizing conventions.

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Considering the impact this story had, it’s kind of surprising how little time Deadshot gets in it – but what he has is worth the wait.  The mask would not normally be shown to be reflective, as on the page above, but even still it looks great.  And Batman and Deadshot wind up fighting on a giant, functioning, typewriter, in a beautiful throwback moment.  This is the convention at which Silver is working, and she is in the crowd, seeing Batman for the first time.

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And it only takes one look, and she knows.

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